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Cognition Computerized Music Sound“Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness”, Proceedings of Genetic and Evolutionary Computation Conference (GECCO 2006), Seattle (USA). "Songs of Interactive Autonomous free smoking fetish web site Robots: A Case Study of Artificial Cognition". "Tactile Composition Systems for Collaborative Free Sound", Proceedings of the International Computer Music Conference 2005, Barcelona rebounding to better health (Spain). "Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making", Proceedings of bc provincial english exam the International Computer Music Conference 2005, Barcelona Miranda, E. "Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing", Proceedings of Sound and Music Computing 05, Salerno Miranda, E."A-Life and Musical Composition: A Brief Survey", IX Brazilian Symposium on Computer Music: Music as Emergent criss cross jump jump Behaviour, UNICAMP, Campinas Wooller, R. "Interaction and Self-Organisation in a Society of Musical Agents", Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal). "Neural Correlates of Tonality in Music", Proceedings of Music, Brain & Cognition WorkshopNIPS Conference, Whistler (Canada). "Emergent Rhythms as Cultural Phenomena Driven by Social Pressure in a Society of Artificial Agents". "On the Learning Stages free private home movie of an Intelligent Rhythmic Generator", Proceedings of Sound and Music Computing 05, Salerno (Italy). 243-255, Universidad Complutense de Madrid Miranda, E. "The Emergent Musical Environments: An Artificial Life Approach", Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal). (Invited keynote; not peer-reviewed) Zhang, Q. "The development of musical styles in a society of software agents", Proceedings of the International Conference on Music Perception and Gimenes, M. . Composing Music with Computers. Due to the interdisciplinary nature of ICCMR’s work, most publications can fit more than one theme, but they appear just Papers published before the respective author(s) joined the centre are not listed. "Artificial Singing with a Webcam Mouth-Controller", Proceedings of Sound and Music Computing 05, Salerno (Italy). . Computer Sound Design: Synthesis Techniques and Programming. “Evolution of Musical Lexicons by Singing Robots” Proceedings of TAROS 2006 ConferenceTowards Autonomous Robotic Systems, Surrey University, Gilford (UK). "Real Time Music Synthesis Environment Driven with Biological Signals", Proceedings of IEEE International Conference on Acoustics, Speech, and Signal Processing, Toulouse (France). "Spectral Fuzzy Sets car electric killed who and Markov Streaming for Granular Synthesis of Sound", Symmetry: Culture and Science. "A Connectionist Architecture for the Evolution of Rhythms", Proceedings of EvoWorkshops 2006, Lecture Notes in Computer Science, Berlin: Springer-Verlag, Miranda, E. "On Making Music with Artificial Life Models", In Engineering Nature: Art and Consciousness in the Post-Biological Era, R. "Transformation and mapping of L-Systems data in the composition of a large-scale instrumental work", Proceedings of ECAL 2007 Workshop on Music free music lesson plan and Artificial Life (MusicAL 2007), Lisbon (Portugal). "On the evolution of music in a society of self-taught digital creatures", Digital Creativity, Vol. And so are papers submitted for publication by former members after train travel in australia they have left the centre. New Digital Musical Instruments: Control and Interaction beyond de Keyboard. "Artificial Phonology: On Synthesising Disembodied Humanoid Voice for Composing Music with Surreal Languages", Leonardo Music Journal, Vol. "From Biological Signals to Music", Proceedings of ENACTIVE052nd International Conference on Enactive Interfaces, Genoa (Italy). All journal and conference papers were peer reviewed and/or refereed accordingly, unless otherwise stated. "Musicianship for Robots with Style". "Representación del Conocimiento para la Composición Musical", Proceedings of 11th Conference of the Spanish Association for Artificial Intelligence, Santiago de Compostela (Spain). "Commonalities between F2 distribution and musical timbre", Poster presented at Language and Music as Cognitive Systems Conference, 11-13 May, Cambridge (UK). Octopus Music API: Modellling Musical Performance. "A molecular collision model of musical interaction", Proceedings of the Generative Arts Conference, Milano (Italy). Proceedings of New Interfaces for Musical Expression Gimenes, M. "Brain-Computer music interface for composition and performance", International Journal on Disability and Human Development, 5(2):119-125. Warning: version before revision. "An instrument of sound and visual creation driven by biological signals". "Cortical Songs: Musical Performance Events triggered by Artificial Spiking Neurons", Body, Space & Technology Journal, Vol. "Evolving Adaptive Sensors in a Synthetic Listener", Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).
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